
Oil On Canvas, Real Flavor of Old Masters

All Jacob van Ruisdael 's Paintings
The Painting Names Are Sorted From A to Z

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Image

Painting (From A to Z)

Details

10232

View of Haarlem with Bleaching

Grounds c 1665 Oil on canvas, 62,2 x 55,2 cm Kunsthaus, Zurich

50068

View of Haarlem with Bleaching Grounds

mk207 Signed,lower left about 1670-75 Canvas 62.2x55.2cm

50117

View of Haarlem with Bleaching Grounds

mk207 Signed early 1670s canvas 55.5x62cm

50121

View of Het Lj on a Stormy Day

mk207 65.8x82.7cm

50122

View of het lj on a stormy Day

mk207 65.8x82.7cm

50097

View of Naarden

mk207 Signed and dated 1647 34.8x67cm

50118

View of the Dunes near Bl oemendaal with Bleaching Fields

mk207 Signed Canvas 52x65.2cm

50114

View of the Ruins of Huis ter Kleef and Haarlem

mk207 Signed second half of the 1670s canvas 40x40cm

10234

Village at Winter at Moonlight

Oil on canvas 36 x 32 cm Staatsgalerie, Schleissheim

50111

Village in Winter

mk207 Signed about 1665 Canvas 36.7x32.5cm

10239

Waterfall by Church

1667Oil on canvas 109 x 131,5 cm Wallraf-Richartz Museum, Cologne

50082

Waterfall in a Hilly Wooded Landscape

mk207 Signed About 1660 Canvas 105.5x123.4cm

50089

Waterfall in a Mountainous Landscape with a Ruined castle

mk207 Signed About 1665-70 Canvas 119x180cm

10240

Waterfall in a Rocky Landscape

1660Oil on canvas 98,5 x 85 cm National Gallery, London

50091

Waterfall near oan Oak wood

mk207 Signed Late 1660s Canvas 142x195cm

50079

Waterfall with a Half-timbered House and Castle

mk207 Signed on a rock lower right About 166.5 canvas 99.7x86.3cm

10237

Waterfall with Castle Built on the Rock

1665Oil on canvas, 100 x 86 cm Herzog Anton Ulrich-Museum, Braunschweig

10242

Wheat Fields

1670 Oil on canvas, 100 x 130,2 cm Metropolitan Museum of Art, New York

50109

Windmill at Wijk bij Duurstede

mk207 Signed About 1670 Canvas 83x101cm

24176

Windmill by a Stream (mk25)

c 1646

10244

Winter Landscape

1670 Oil on canvas 42 x 49,7 cm Rijksmuseum, Amsterdam

50075

Winter Landscape

mk207 Signed,lower right Late 1660s Canvas 5.2x68.6cm

50112

Winter Landscape with a Lamp-post and and a Distant view of Haarlem

mk207 1670s Canvas 37x32cm

50113

Winter landscape with two windmill

mk207 Signed about 1675-80 Canvas 38x42.5cm

50090

Wooded river bank

mk207 Monogrammed 1650s Panel 26.4x35.5cm

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Jacob van Ruisdael

Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.

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All Jacob van Ruisdael 's Paintings The Painting Names Are Sorted From A to Z

All Jacob van Ruisdael 's Paintings
The Painting Names Are Sorted From A to Z